In the oeuvre of many composers the vocal works are often the most personal, as if the primacy of the human voice and speech elicit an unguarded response. Xenakis´ earliest works were based on a Bartkian approach to Greek folk music, which he rejected. However, his Greek origins continued to disturb him like subterranean tremors. His great love of ancient theatre, Greek philosophy and his mother tongue had to be married to a new musical language.
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Track |
Interpret - Titel |
Dauer |
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001/00 |
A Colone (für Chor und Instrumentalensemble) (1977) |
9:55 |
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Komponist: Xenakis Iannis Dirigent/Leitung: Wood James Orchester/Ensemble: New London Chamber Choir, Critical Band
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002/00 |
Nuits (für 12 Stimmen a cappella) (1967) |
9:00 |
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Komponist: Xenakis Iannis Dirigent/Leitung: Wood James (Chorleitung) Orchester/Ensemble: New London Chamber Choir
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003/00 |
Serment (für gemischten Chor) (1981) |
6:02 |
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Komponist: Xenakis Iannis Dirigent/Leitung: Wood James (Chorleitung) Orchester/Ensemble: New London Chamber Choir
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004/00 |
Knephas (für gemischten Chor) (1990) |
10:13 |
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Komponist: Xenakis Iannis Dirigent/Leitung: Wood James (Chorleitung) Orchester/Ensemble: New London Chamber Choir
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005/00 |
Medea (für Männerchor und Instrumentalensemble) (1967) |
22:49 |
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Komponist: Xenakis Iannis Dirigent/Leitung: Wood James Orchester/Ensemble: New London Chamber Choir, Critical Band
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