In the late 16th c. when vocal polyphony was developing into the excesses of the late Italian madrigal and the powerplay of multi-choir writing in Venice, Victoria, in Rome, chose to write his 18 Tenebrae settings with the simplest texture imaginable: four voices with internal sections for just two or three parts. These perfect miniatures force the question: how can so little mean so much?
|
Track |
Interpret - Titel |
Dauer |
|
|
001/00 |
I Fagiolini; Robert Hollingworth - Tenebrae Responsories: Matins Responsories for Maundy Thursday
|
|
|
|
Komponist: Victoria Tomás Luis de
|
|
001/01 |
Nocturn II - Amicus meus osculi me tradidit signo |
3:00 |
|
|
|
|
002/02 |
Nocturn II - Judas mercator pessimus |
2:24 |
|
|
|
|
003/03 |
Nocturn II - Unus ex discipulis meis tradet me hodie |
3:21 |
|
|
|
|
004/00 |
Hollingworth Robert - A Scattering
|
|
|
|
Komponist: Christopher Reid
|
|
004/01 |
The Flowers of Crete (p.12) - Spoken Word |
1:01 |
|
|
|
|
005/02 |
The Flowers of Crete (p.17) - Spoken Word |
1:06 |
|
|
|
|
006/00 |
I Fagiolini; Robert Hollingworth - Tenebrae Responsories: Matins Responsories for Maundy Thursday
|
|
|
|
Komponist: Victoria Tomás Luis de
|
|
006/01 |
Nocturn III - Eram quasi agnus innocens |
3:12 |
|
|
|
|
007/02 |
Nocturn III - Una hora non potuistis vigilare mecum |
2:43 |
|
|
|
|
008/03 |
Nocturn III - Seniores populi consilium fecerunt |
4:11 |
|
|
|
|
009/00 |
Hollingworth Robert - A Scattering
|
|
|
|
Komponist: Christopher Reid
|
|
009/01 |
The unfinished (No.5) - Spoken Word |
1:18 |
|
|
|
|
010/02 |
The unfinished (No.1) - Spoken Word |
1:26 |
|
|
|
|
011/00 |
I Fagiolini; Robert Hollingworth - Tenebrae Responsories: Matins Responsories for Good Friday
|
|
|
|
Komponist: Victoria Tomás Luis de
|
|
011/01 |
Nocturn II - Tamquam ad latronem |
3:24 |
|
|
|
|
012/02 |
Nocturn II - Tenebrae factae sunt |
3:25 |
|
|
|
|
013/03 |
Nocturn II - Animam meam dilectam |
6:28 |
|
|
|
|
014/00 |
Hollingworth Robert - A Scattering
|
|
|
|
Komponist: Christopher Reid
|
|
014/01 |
A Widower's Dozen - Songbook - Spoken Word |
1:25 |
|
|
|
|
015/00 |
I Fagiolini; Robert Hollingworth - Tenebrae Responsories: Matins Responsories for Good Friday
|
|
|
|
Komponist: Victoria Tomás Luis de
|
|
015/01 |
Nocturn III - Tradiderunt me in manus impiorum |
2:31 |
|
|
|
|
016/02 |
Nocturn III - Jesum tradidit impius summis |
2:44 |
|
|
|
|
017/03 |
Nocturn III - Caligaverunt oculi mei a fletu meo |
5:04 |
|
|
|
|
018/00 |
Hollingworth Robert - A Scattering
|
|
|
|
Komponist: Christopher Reid
|
|
018/01 |
A Widower's Dozen - Late - Spoken Word |
1:10 |
|
|
|
|
019/02 |
A Widower's Dozen - Turns - Spoken Word |
1:03 |
|
|
|
|
020/00 |
I Fagiolini; Robert Hollingworth - Tenebrae Responsories: Matins Responsories for Holy Saturday
|
|
|
|
Komponist: Victoria Tomás Luis de
|
|
020/01 |
Nocturn II - Recessit pastor noster |
3:11 |
|
|
|
|
021/02 |
Nocturn II - O vos omnes |
2:19 |
|
|
|
|
022/03 |
Nocturn II - Ecce quomodo moritur iustus |
3:49 |
|
|
|
|
023/00 |
Hollingworth Robert - A Scattering
|
|
|
|
Komponist: Christopher Reid
|
|
023/01 |
A Widower's Dozen - An Italian Market - Spoken Word |
0:53 |
|
|
|
|
024/00 |
I Fagiolini; Robert Hollingworth - Tenebrae Responsories: Matins Responsories for Holy Saturday
|
|
|
|
Komponist: Victoria Tomás Luis de
|
|
024/01 |
Nocturn III - Astiterunt reges terrae |
2:04 |
|
|
|
|
025/02 |
Nocturn III - Aestimatus sum |
2:13 |
|
|
|
|
026/03 |
Nocturn III - Sepulto Domino |
3:51 |
|
|
|
|
027/00 |
Hollingworth Robert - A Scattering
|
|
|
|
Komponist: Christopher Reid
|
|
027/01 |
A Widower's Dozen - The documents - Spoken Word |
2:49 |
|
|
|
