Christian Ihle Hadland (Piano) - Stephen Fitzpatrick (Harfe) // Saint-Saëns´s chamber music broke new ground in France at a time when public taste tended to favour opera and opéra-comique. His Sonata 1 for violin and piano, one of the earliest composed in France, is a masterpiece of boundless beauty, with emotional impact and highly poetic content. The second Sonata, composed in Egypt, is very different from its predecessor: more serious, classical, and intimate.
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Interpret - Titel |
Dauer |
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001/00 |
Sonate für Violine und Klavier Nr. 1 d-moll op. 75 |
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Komponist: Saint-Saëns Camille Mitwirkende: Ziliacus Cecilia, Ihle Hadland Christian
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001/01 |
1. Allegro agitato - |
7:06 |
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002/02 |
Adagio |
5:48 |
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003/03 |
2. Allegretto moderato - |
4:01 |
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004/04 |
Allegro molto |
6:27 |
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005/00 |
Sonate für Violine und Klavier Nr. 2 Es-Dur op. 102 |
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Komponist: Saint-Saëns Camille Mitwirkende: Ziliacus Cecilia, Ihle Hadland Christian
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005/01 |
1. Poco allegro, più tosto moderato |
7:36 |
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006/02 |
2. Scherzo: Vivace |
4:02 |
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007/03 |
3. Andante - Allegretto scherzando |
6:10 |
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008/04 |
4. Allegro grazioso, non presto |
5:19 |
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009/00 |
Fantasie für Violine und Harfe op. 124 |
14:42 |
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Komponist: Saint-Saëns Camille Mitwirkende: Zilliacus Cecilia, Fitzpatrick Stephen
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010/00 |
Berceuse op. 38 (bearb. für Violine und Harfe von Stephen Fitzpatrick) |
5:26 |
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Komponist: Saint-Saëns Camille Mitwirkende: Zilliacus Cecilia, Fitzpatrick Stephen
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