With his last opera, Hérold launched his biggest success: The simplicity of the vocal lines, the impact of the dramatic effects and the effectiveness of the choral writing testify to the flowering of Romanticism and the composer's assimilation of Rossini, then the paragon of modernity. Following the July Revolution of 1830, it was time to exorcise unfortunate memories: the topic of politics however was not treated directly but through a historical simile.
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Track |
Interpret - Titel |
Dauer |
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001/00 |
Le Pré aux clercs (Oper in 3 Akten) |
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Komponist: Hérold Louis Joseph Ferdinand
Mitwirkende: Fonseca Nuno, Batista Tiago, Munger Marie-Éve, Crousaud Jeanne, Lenormand Marie, Toro Emiliano González, Spyres Michael, Huchet Éric, Rebelo Manuel, Helmer Christian, César Leandro
Dirigent/Leitung: McCreesh Paul
Orchester/Ensemble: Chor Gulbenkian, Orchester Gulbenkian
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001/01 |
Ouverture |
5:43 |
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002/02 |
Introduktion: Ah! Quel beau jour de fête (1. Akt) |
2:52 |
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003/03 |
Ah! Reposons-nous |
1:57 |
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004/04 |
Les rendez-vous de noble compagnie |
6:28 |
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005/05 |
Holà! ho! |
1:15 |
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006/06 |
Ce soir j'arrive donc |
4:20 |
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007/07 |
Ah les chiens! |
0:13 |
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008/08 |
Allons! dressons la table! |
5:14 |
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009/09 |
Quelle rencontre inattendue! |
8:15 |
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010/10 |
A la Navarre |
10:30 |
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011/11 |
Jours de mon enfance (2. Akt) |
10:27 |
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012/12 |
Mauvaises nouvelles |
3:20 |
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013/13 |
Vous me disiez sans cesse |
8:09 |
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014/14 |
Je sens les gouttes d'eau |
3:05 |
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