These cello sonatas come from late 19th c. Paris, and that tradition of French chamber-music composition which is marked out by an excellence of musical training and a seriousness of intent. The melodic charm of Godard´s Sonata is most strongly reminiscent of Schumann; the Sonata by the tragically short-lived Boëllmann is marked out by an extraordinary range of almost Wagnerian harmonic sideslips.
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Track |
Interpret - Titel |
Dauer |
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001/00 |
Sonate für Violoncello und Klavier d-moll op. 104 |
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Komponist: Godard Benjamin
Mitwirkende: Lidstroem Mats, Forsberg Bengt
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001/01 |
1. Moderato |
11:41 |
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002/02 |
2. Adagio non troppo |
7:56 |
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003/03 |
3. Vivace ma non troppo - Andante - Vivace - Moderato |
11:04 |
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004/00 |
Stücke für Violoncello und Klavier op. 61 Nr. 1-2 |
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Komponist: Godard Benjamin
Mitwirkende: Lidstroem Mats, Forsberg Bengt
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004/01 |
Nr. 1 Aubade |
7:18 |
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005/02 |
Nr. 2 Scherzo |
3:16 |
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006/00 |
Zwei Stücke für Violoncello und Klavier op. 31 |
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Komponist: Boëllmann Léon
Mitwirkende: Lidstroem Mats, Forsberg Bengt
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006/01 |
Valse lente |
3:40 |
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007/02 |
Menuet |
3:52 |
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008/00 |
Sonate für Violoncello und Klavier a-moll op. 40 |
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Komponist: Boëllmann Léon
Mitwirkende: Lidstroem Mats, Forsberg Bengt
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008/01 |
1. Maestoso - Allegro con fuoco |
9:34 |
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009/02 |
2. Andante |
8:45 |
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010/03 |
3. Allegro molto - Pococ animato |
6:04 |
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