Dvorák is celebrated for the kind of poignant melodies redolent of Czech folk music found in the utterly charming Bagatelles and Rondo - the haunting tunes and harmonic twists of which represent the distinctive style that brought him international fame. Less known is that during the years 1868-70 Dvorák composed in a style so wild for the time that it foreshadowed the modernistic innovations of Schoenberg and his contemporaries.
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Interpret - Titel |
Dauer |
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001/00 |
Bagatellen op. 47 (für Harmonium, 2 Violinen und Violoncello) |
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Komponist: Dvorák Antonín Mitwirkende: Morooka Ryoko Orchester/Ensemble: Fine Arts Quartet
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001/01 |
Nr. 1 Allegretto scherzando |
2:58 |
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002/02 |
Nr. 2 Tempo di minuetto: Grazioso |
3:04 |
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003/03 |
Nr. 3 Allegretto scherzando |
3:09 |
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004/04 |
Nr. 4 Kanon: Andante con moto |
3:44 |
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005/05 |
Nr. 5 Poco allegro |
4:24 |
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006/00 |
Streichquartett Nr. 2 B-Dur B 17 |
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Komponist: Dvorák Antonín Orchester/Ensemble: Fine Arts Quartet
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006/01 |
1. Allegro ma non troppo |
13:14 |
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007/02 |
2. Largo |
14:11 |
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008/03 |
3. Allegro con brio |
7:01 |
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009/04 |
4. Finale: Andante - Allegro giusto |
16:48 |
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010/00 |
Rondo g-moll op. 94 (für Violoncello und Klavier) |
6:27 |
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Komponist: Dvorák Antonín Mitwirkende: Schmidt Niklas, Simonian Stepan
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