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Track |
Interpret - Titel |
Dauer |
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001/00 |
Britten Sinfonia; Jamie Phillips - Hassan, DCW 8 Act 1
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Komponist: Delius Frederick
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001/01 |
Prelude. Slow - Quietly but expressively |
4:23 |
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002/02 |
Narrator: 'We are in old Baghdad' |
2:29 |
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003/03 |
Interlude between Scenes 1 and 2 |
1:50 |
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004/04 |
Scene 2. Moonlight. The street of Felicity, by the fountain of the two pigeons, in from of the house |
0:26 |
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005/05 |
Narrator: 'It is later that night' |
0:57 |
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006/06 |
Serenade. Con moto moderato |
1:49 |
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007/07 |
Narrator: 'The shutters open, and Yasmin appears' |
2:27 |
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008/08 |
Melos. Hassan falls under the shadow of the fountain. The first light of dawn shines in the sky. Very quietly |
0:52 |
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009/09 |
Chorus behind the scenes. Not too slow |
2:08 |
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010/10 |
Narrator: 'The first light of dawn shines in the sky' |
1:27 |
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011/00 |
Britten Sinfonia; Jamie Phillips - Hassan, DCW 8 Act 2
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Komponist: Delius Frederick
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011/01 |
Prelude. With animation |
0:50 |
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012/02 |
Narrator: 'The filthy, inanimate bulk of Hassan...' |
0:37 |
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013/03 |
Fanfare preceding the Ballet (Gaily, outside) |
0:08 |
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014/04 |
No. 1, Dance of the Beggars. There enters the most awful selection of Eastern beggars the eye could imagine. Quick and v |
1:20 |
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015/05 |
Narrator: 'And then, after the Beggars' |
0:06 |
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016/06 |
No. 2, Chorus of Women. (Enter a band of fair and dusky beauties.) Quietly |
2:22 |
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017/07 |
No. 3, Divertissement. Con moto |
2:27 |
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018/08 |
Narrator: 'Rafi is then announced as The King of the Beggars' |
0:58 |
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019/09 |
No. 4, General Dance. Andante moderato - Allegro - Più mosso |
2:53 |
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020/10 |
Narrator: 'Rafi is asked why he hates the Caliph so' |
0:46 |
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021/11 |
Chorus of Beggars and Dancing Girls (from behind the scene, after the descent of the iron curtain). Comodo |
1:21 |
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022/12 |
Narrator: 'This House of the Moving Walls...' |
0:51 |
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023/13 |
Scene 2. The Street of Felicity. Very quietly |
0:38 |
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024/14 |
Narrator: 'The SOS message has fallen from the balcony...' |
1:11 |
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025/15 |
Music accompanying Ishak's poem. Not too slow |
1:32 |
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026/16 |
Narrator: 'Yasmin's regard for Hassan has instantly shifted' |
0:39 |
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027/00 |
Britten Sinfonia Voices; Britten Sinfonia; Jamie Phillips - Hassan, DCW 8 Act 3
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Komponist: Delius Frederick
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027/01 |
Prelude. Moderato - Slower |
1:33 |
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028/02 |
Scene 1. Curtain |
0:43 |
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029/03 |
Narrator: 'Hassan is installed at the Caliph's Palace' |
0:26 |
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030/04 |
Interlude between Scenes 1 and 2. Very quietly - Slow |
1:43 |
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031/05 |
Narrator: 'The slaves inform Hassan that there is a beautiful lady. |
1:05 |
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032/06 |
Scene 2. The great Hall of the Palace. With vigour - Quieter |
2:26 |
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033/07 |
Narrator: 'We are in the Great Hall of the Caliph's Palace' |
1:00 |
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034/08 |
Fanfares, in the great Hall of the Palace |
0:11 |
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035/09 |
Narrator: 'As more and more people gather...' |
0:29 |
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036/10 |
Entry of the Caliph. Pompously |
0:17 |
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037/11 |
Narrator: 'The Caliph declares the trial of the beggars open' |
0:09 |
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038/12 |
Fanfares |
0:21 |
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039/13 |
Narrator: 'Then Rafi, King of the Beggars, is summoned' |
1:17 |
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040/00 |
Britten Sinfonia; Jamie Phillips - Hassan, DCW 8 Act 4
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Komponist: Delius Frederick
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040/01 |
Prelude. Slow - Passionately |
4:14 |
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041/02 |
Narrator: 'In the Palace's dark vaults' |
0:26 |
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042/03 |
Interlude between Scenes 1 and 2. Slow and ponderously |
1:57 |
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043/04 |
Narrator: 'Sunlight streams through the cell's grating' |
1:14 |
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044/00 |
Britten Sinfonia Voices; Britten Sinfonia; Jamie Phillips - Hassan, DCW 8 Act 5
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Komponist: Delius Frederick
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044/01 |
Prelude. Quick - Slower, softer - Not too quick - Curtain. The Garden of the Caliph's Palace, in front of a pavilion. Su |
2:29 |
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045/02 |
The song of the Muezzin at sunset |
1:08 |
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046/03 |
Narrator: 'With another sunset approaching' |
1:51 |
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047/04 |
The Procession of Protracted Death. March tempo |
2:53 |
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048/05 |
Narrator: 'The long, dreadful execution ensues...' |
1:29 |
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049/06 |
Prelude to the last scene. With flowing movement |
3:03 |
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050/07 |
Closing Scene. Slow - (The Caravan recedes farther and farther into the distance.) - (Dying away in the distance) |
10:16 |
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