Paganini's Caprices have exerted a mesmeric attraction for composers since their publication in 1820. Schumann's two sets of Etudes, comparatively rare in performance, were the result of hearing Paganini play in Frankfurt in April 1830. Brahms, also fascinated by Paganini, composed his Variations for the great virtuoso pianist Karl Tausig. He takes the 24th Caprice and turns his 'Studies for Pianoforte' into a tour de force: 'Hexenvariationen' as Clara Schumann called them.
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Interpret - Titel |
Dauer |
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001/00 |
Joseph Moog - Variations on a Theme by Paganini Op. 35
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Komponist: Brahms Johannes
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001/01 |
Book I. Theme & Variations 1-14 |
13:05 |
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002/02 |
Book II. Theme & Variations 1-14 |
10:40 |
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003/00 |
Joseph Moog - 6 Études after Caprices by Paganini Op. 3
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Komponist: Schumann Robert
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003/01 |
No. 1 Agitato (after Caprice No. 5 in A minor) |
2:46 |
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004/02 |
No. 2 Allegretto (after Caprice No. 9 in E) |
3:01 |
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005/03 |
No. 3 Andante (after Caprice No. 11 in C) |
2:03 |
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006/04 |
No. 4 Allegro (after Caprice No. 13 in B flat) |
2:27 |
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007/05 |
No. 5 Lento - Allegro assai (after Caprice No. 19 in E flat) |
2:48 |
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008/06 |
No. 6 Allegro molto (after Caprice No. 16 in G minor) |
1:38 |
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009/00 |
Joseph Moog - 6 Concert Études after Caprices by Paganini Op. 10
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Komponist: Schumann Robert
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009/01 |
No. 1 Allegro molto (after Caprice No. 12 in A flat) |
5:57 |
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010/02 |
No. 2 Non troppo lento (after Caprice No. 6 in G minor) |
4:41 |
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011/03 |
No. 3 Vivace (after Caprice No. 10 in G minor) |
3:18 |
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012/04 |
No. 4 Maestoso (after Caprice No. 4 in C minor) |
8:41 |
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013/05 |
No. 5 [no tempo indication] (after Caprice No. 2 in B minor) |
2:28 |
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014/06 |
No. 6 Sostenuto - Allegro (after Caprice No. 3 in E minor) |
3:47 |
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