As a young boy, Brahms was given rudimentary lessons on both the violin and cello by his father, although it was the piano that primarily activated his executant and creative imagination. Accordingly, his first published works included three virtuoso piano sonatas that rejoice in the instrument's potential for rich and powerful middle-register (cello) sonorities.
Track |
Interpret |
Titel |
Dauer |
Weitere Mitwirkende |
001/00 |
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Sonate für Violoncello und Klavier Nr. 1 e-moll op. 38 |
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Mitwirkende: LaFollette Bartholomew, Palmer Caroline
|
001/01 |
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1. Allegro non troppo |
14:04 |
|
002/02 |
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2. Allegretto quasi Menuetto |
5:51 |
|
003/03 |
|
3. Allegro |
6:35 |
|
004/00 |
|
Ernste Gesänge Nr.1-4 op. 21 |
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Mitwirkende: LaFollette Bartholomew, Palmer Caroline
|
004/01 |
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Nr. 1 Denn es gehet dem Menschen |
4:51 |
|
005/02 |
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Nr. 2 Ich wandte mich, und sahe an |
4:18 |
|
006/03 |
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Nr. 3 O Tod, wie bitter bist du |
4:05 |
|
007/04 |
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Nr. 4 Wenn ich mit Menschen |
4:51 |
|
008/00 |
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Ungarischer Tanz Nr. 20 e-moll |
2:54 |
Mitwirkende: LaFollette Bartholomew, Palmer Caroline
|
009/00 |
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Sonate für Violoncello und Klavier Nr. 2 F-Dur op. 99 |
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Mitwirkende: LaFollette Bartholomew, Palmer Caroline
|
009/01 |
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1. Allegro vivace |
8:29 |
|
010/02 |
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2. Adagio affetuoso |
6:33 |
|
011/03 |
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3. Allegro passionato |
6:59 |
|
012/04 |
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4. Allegro molto |
4:22 |
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