This debut album of the highly distinctive artist Kadesha is a high-flying recital of solo violin pieces spanning five centuries. One of the oldest pieces of music written for solo violin, Biber's angelic and absolutely mesmerizing Passacaglia, stands alongside Bach's enduringly famous Second Partita, whose last movement is the starting point for the Ciaccona by Swiss composer Helena Winkelman, which receives its first commercial recording here.
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Track |
Interpret - Titel |
Dauer |
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001/00 |
Jonian Ilias Kadesha - Signs, Games and Messages: Hommage à J. S. B.
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1:12 |
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Komponist: Kurtág György
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002/00 |
Jonian Ilias Kadesha - Partita No. 2 in D Minor, BWV 1004
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Komponist: Bach Johann Sebastian
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002/01 |
I. Allemande |
4:23 |
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003/02 |
II. Courante |
2:34 |
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004/03 |
III. Sarabande |
3:31 |
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005/04 |
IV. Gigue |
4:05 |
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006/05 |
V. Chaconne |
12:35 |
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007/00 |
Jonian Ilias Kadesha - Signs, Games and Messages: Perpetuum mobile a
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0:55 |
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Komponist: Kurtág György
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008/00 |
Jonian Ilias Kadesha - Ciaccona for Violin Solo
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5:53 |
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Komponist: Helena Winkelman
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009/00 |
Jonian Ilias Kadesha - Signs, Games and Messages: Perpetuum mobile b
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0:53 |
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Komponist: Kurtág György
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010/00 |
Jonian Ilias Kadesha - Fugue for Solo Violin
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3:35 |
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Komponist: Schnittke Alfred
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011/00 |
Jonian Ilias Kadesha - Signs, Games and Messages: Perpetuum mobile c
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1:02 |
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Komponist: Kurtág György
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012/00 |
Jonian Ilias Kadesha - Lonely Suite 'Ballet for a Lonely Violinist', Op. 70
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Komponist: Lera Auerbach
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012/01 |
I. Dancing with Oneself |
1:41 |
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013/02 |
II. Boredom |
1:23 |
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014/03 |
III. No Escape |
1:32 |
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015/04 |
IV. Imaginary Dialogue |
2:20 |
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016/05 |
V. Worrisome Thought |
0:44 |
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017/06 |
VI. Question |
0:54 |
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018/00 |
Jonian Ilias Kadesha - Signs, Games and Messages: Népdalféle
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0:54 |
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Komponist: Kurtág György
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019/00 |
Jonian Ilias Kadesha - Passacaglia in G Minor
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7:05 |
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Komponist: Biber Heinrich Ignaz Franz
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020/00 |
Jonian Ilias Kadesha - Signs, Games and Messages: . féerie d'automne .
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1:48 |
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Komponist: Kurtág György
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