The Sonatas op. 109, 110 and 111 are closely interwoven, themes and motives of the three works refer to each other, and cross connections can be detected again and again. It is no coincidence that both op. 109 and op. 111 end with weighty variation movements that could not be more different: While op. 109 returns to the initial theme at the end, op. 111 virtually deconstructs this theme...
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Interpret - Titel |
Dauer |
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001/00 |
Sonate für Klavier Nr. 30 E-Dur op. 109 |
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Komponist: Beethoven Ludwig van Mitwirkende: Ju Jin
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001/01 |
1. Vivace, ma non troppo - Adagio espressivo |
3:53 |
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002/02 |
2. Prestissimo |
2:47 |
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003/03 |
3. Gesangvoll, mit innigster Empfindung |
14:03 |
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004/00 |
Sonate für Klavier Nr. 31 As-Dur op. 110 |
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Komponist: Beethoven Ludwig van Mitwirkende: Ju Jin
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004/01 |
1. Moderato cantabile molto espressivo |
6:05 |
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005/02 |
2. Allegro molto |
2:13 |
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006/03 |
3. Adagio ma non troppo - Allegro ma non troppo |
10:51 |
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007/00 |
Sonate für Klavier Nr. 32 c-moll op. 111 |
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Komponist: Beethoven Ludwig van Mitwirkende: Ju Jin
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007/01 |
1. Maestoso - Allegro con brio ed appassionato |
9:04 |
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008/02 |
2. Arietta: Adagio molto semplice e cantabile |
17:55 |
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