Originating in Italy, the trio sonata imposed itself as one of the major musical forms of the 18th century. Having been formalised in sharply contrasting movements by Corelli, it seduced composers who found within it a means to develop their thematic ideas and to free themselves from the framework of the suite of dances in a new aesthetic spirit, that of chamber music.
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Track |
Interpret - Titel |
Dauer |
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001/00 |
Triosonate für Orgel Nr. 1 Es-Dur BWV 525 |
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Komponist: Bach Johann Sebastian Mitwirkende: Alard Benjamin
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001/01 |
1. (ohne Satzbezeichnung) |
3:16 |
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002/02 |
2. Adagio |
4:42 |
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003/03 |
3. Allegro |
4:03 |
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004/00 |
Triosonate für Orgel Nr. 2 c-moll BWV 526 |
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Komponist: Bach Johann Sebastian Mitwirkende: Alard Benjamin
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004/01 |
1. Vivace |
4:18 |
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005/02 |
2. Largo |
3:54 |
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006/03 |
3. Allegro |
5:01 |
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007/00 |
Triosonate für Orgel Nr. 3 d-moll BWV 527 |
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Komponist: Bach Johann Sebastian Mitwirkende: Alard Benjamin
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007/01 |
1. Andante |
5:32 |
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008/02 |
2. Adagio e dolce |
3:40 |
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009/03 |
3. Vivace |
4:34 |
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010/00 |
Triosonate für Orgel Nr. 4 e-moll BWV 528 |
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Komponist: Bach Johann Sebastian Mitwirkende: Alard Benjamin
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010/01 |
1. Adagio - Vivace |
3:17 |
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011/02 |
2. Andante |
6:05 |
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012/03 |
3. Un poco allegro |
3:00 |
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013/00 |
Triosonate für Orgel Nr. 5 C-Dur BWV 529 |
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Komponist: Bach Johann Sebastian Mitwirkende: Alard Benjamin
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013/01 |
1. Allegro |
5:40 |
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014/02 |
2. Largo |
5:50 |
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015/03 |
3. Allegro |
4:08 |
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016/00 |
Triosonate für Orgel Nr. 6 G-Dur BWV 530 |
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Komponist: Bach Johann Sebastian Mitwirkende: Alard Benjamin
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016/01 |
1. Vivace |
4:27 |
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017/02 |
2. Lento |
4:19 |
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018/03 |
3. Allegro |
4:03 |
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